Pincio gardens
Masaccio
Masaccio gave painted figures physical weight and placed sacred events in spaces that appear measurable and inhabited.
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198 places
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Masaccio gave painted figures physical weight and placed sacred events in spaces that appear measurable and inhabited.
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Masaniello’s brief leadership of the 1647 Naples revolt became a lasting image of popular resistance to taxation.
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Bufalini challenged speculative medical systems and made close observation central to his teaching of pathology.
Find on the mapNear the lake garden
Modern art in the park’s former orangery, with a substantial group of works by Giorgio de Chirico and portraits connected to the Bilotti family.
Find on the mapCentral park
A sculptor’s former home and studio inside the Fortezzuola, where models and finished works explain how public monuments were made.
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Napoleon’s rule changed Rome’s administration and art collections, even though his empire’s plans for the city outlasted his control of it.
Find on the mapNorthern edge of the park
A national collection of nineteenth-century, modern, and contemporary art in a monumental building at Valle Giulia.
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An Istrian mariner who volunteered for the Italian navy, Sauro was captured after the submarine Pullino grounded in 1916.
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Machiavelli examined power through both princely rule and republican government, drawing on years of Florentine public service.
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Tartaglia’s work on cubic equations became entangled in disputes over mathematical discovery and the right to publish it.
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Cavalieri San Bertolo taught structural and hydraulic engineering and worked on Rome’s roads and water distribution.
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Mascagni mapped the lymphatic system and helped make anatomical illustration a precise instrument of study.
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Mercuri translated paintings into engraved lines and directed Rome’s Calcografia, where prints were made, preserved, and taught.
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Sarpi defended Venice against papal jurisdiction and wrote a history of the Council of Trent that challenged the papacy’s account of reform.
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Veronese staged painted banquets on an architectural scale, bringing sacred stories into crowded worlds of wealth and display.
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Toscanelli’s astronomical observations and geographical arguments joined practical measurement to the uncertain world maps of the Renaissance.
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The former deer enclosure beside the Borghese Gallery preserves the name of an earlier use of the estate.
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Rossi’s career crossed Switzerland, France, and Rome before his assassination during the constitutional crisis of 1848.
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